Heimrad b cker biography

remnants on the camps’ grounds. Although he photographed other subjects—for instance, in his series “Referendum,” which captured political graffiti and posters during the 1974 referendum on divorce in Italy—his primary interest was the damage wrought by Nazism.

Study of Bäcker’s archive shows how he returned again and again to a limited number of motifs—perhaps two hundred—that came to emblematize the Shoah in his works.

Heimrad b cker biography wikipedia

Bäcker’s documentary practice is inflected by his knowledge of the history of philosophy as well as by his engagement, as a writer and editor, with contemporary art and literature. He received a doctorate in philosophy from the University of Vienna; he published seven books of poetry; he was an active member of the Linz artists’ and writers’ collective MAERZ; and he ran the journal “neue texte” and the publishing house “edition neue texte,” which included texts and artworks by key figures in the Austrian and international avant-garde.

In his use of